Breeding Cages E. Ramos |
This year has got
complicated a little with regards to the
physical space allocated to the canaries at home ( so you already can figure
out who calls the shots at home !), so I will be forced to go back to the 2010
physical arrangement using rather an acoustic barrier than a physical. To start
with, let’s make clear that a physical barrier (as suggested by its name) is
one that isolates the two main areas of a song canaries premises, namely
breeding area and education area. An acoustic barrier is one that isolates two close
areas from a sound perspective.
In 2010, even having adults in the same room
as close as one meter, the acoustiv barrier worked out smoothly and I could
obtain a good group of birds with clean repertoire, some of them with neither
timbres nor rodadas (yes, neither timbres nor rodadas, see the post in this
blog: Sin Timbres ni Rodadas). Of course a
physical barrier is safest but the space is a critical variable in the ecuation
and one needs to know how to establish an acoustic barrier properly.
The space I have
available for my birds is 8 sqm2=4 long, 2 wide). In the middle of the room I
installed an sliding acoustic insulation door but to really secure the outcome
I just installed a second independent audio system that just covers the
breeding area. This I decided to do it after noticing several cocks were constantly
singing the same passage stimulated by the proximity of hens.
This secondary audio
system does not contain any note of the main audio education system, the reason
for this is that when the same notes are played at the same time a peculiar echo
is generated that might be misinterpreted by the learning birds. Additionally,
the reproduction schedule must be programmed in such way that there is always
one of them being played.
And last but not least,
the second audio must be as clean and worked out as the main one. You will
notice that some smart young canary will retain a couple of these notes learned
during his first thirty days of life and will not drop them even if he only is
exposed to the main audio for the rest of his education period (see the
entrance in this blog: cuando aprenden los canarios timbrados).
This explains why some
birds have unwanted notes in their repertoire even though the education systems
isolated them from the 30th day of life.
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